Ebook The Long March of Pop: Art, Music, and Design, 1930-1995By Thomas Crow

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The Long March of Pop: Art, Music, and Design, 1930-1995By Thomas Crow

Ebook The Long March of Pop: Art, Music, and Design, 1930-1995By Thomas Crow

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An original and insightful new history of Pop Art from one of the most important art historians of our time

Thomas Crow’s paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor’s insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow’s starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and ’40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop’s practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book. 

• Sales Rank: #319746 in Books
• Published on: 2015-01-06
• Format: Lay Flat
• Original language: English
• Number of items: 1
• Dimensions: 11.40" h x 1.40" w x 8.00" l, .0 pounds
• Binding: Hardcover
• 412 pages

Review
The long-awaited, "paradigm-changing," expansive narrative on Pop Art by the esteemed NYU professor of modern art.
--Artsy
(Artsy.net 2015-01-01)

Thomas Crow's ambitious The Long March of Pop, Art, Music, and Design, 1930-1995 will probably be considered definitive for a long time to come.
--Peter Plagens, Art in America 2015-09-01

For Crow, Pop art needs to be understood in its deeper social history in order for it to make sense. "Fine art is not enhanced if you isolate it," he says. "It becomes diminished if you aren't looking at cross-fertilisations and feedback loops." Pop art, perhaps more than any other art movement, invites those parallels, and illustrates their continued relevance.
--The Art Newspaper
(The Art Newspaper 2015-01-01)

With the best kind of storytelling force ... Thomas Crow's magisterial new study ... means delving full force into the subcultures--from advertising to surfing to rock music--that established its contexts, produced the material it emulated, and, beginning the cycle anew, fed off and regenerated its forms. The depth and range of historical knowledge Crow brings to such stories is nothing short of stunning. --Bookforum (Graham Bader, Bookforum, 2015 April/May)

With this ambitious and fascinating new book ... Crow has really set a new bar here for art history and criticism.
--Jeff Carter, PopMatters
(PopMatters, 2015-05-07)

‘Thomas Crow’s study of American Pop Art opens with the intriguing premise that the movement emerged out of the American folk revivial of the 1930’s and 40’s, primarily felt in music but later percolating into art in the Robert Rauschenberg and Jasper Johns.’
—Apollo Magazine.
(Apollo Magazine 2015-01-01)

‘…you won’t see Pop the same way after The Long March of Pop. As seen here it’s murkier, richer, more ragged, and evidently the art that a nation congenitally suspicious of the highfalutin was destined to create.’—Martin Herbert, Art Review.
(Martin Herbert Art Review 2015-04-01)

About the Author
Thomas Crow is the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. 

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The Long March of Pop: Art, Music, and Design, 1930-1995By Thomas Crow PDF